1<?xml version="1.0" encoding="UTF-8"?> 2<author> 3 <person id="18749" sex="1" role="author"> 4 <name> 5 <firstname>Agha Shahid</firstname> 6 <lastname>Ali</lastname> 7 </name> 8 <life-events> 9 <date ty="birth" circa="false" suffix="ad">1949</date> 10 <date ty="death" circa="false">2001</date> 11 <text-value>(1949—2001)</text-value> 12 </life-events> 13 <biography>y</biography> 14 </person> 15</author> 16
Those transparent Dacca gauzes
known as woven air, running
water, evening dew:
a dead art now, dead over
5a hundred years. “No one
now knows,” my grandmother says,
“what it was to wear
or touch that cloth.” She wore
it once, an heirloom sari from
her mother's dowry, proved
genuine when it was pulled, all
six yards, through a ring.
Years later when it tore,
many handkerchiefs embroidered
15with gold-thread paisleys
were distributed among
the nieces and daughters-in-law.
Those too now lost.
In history we learned: the hands
20of weavers were amputated,
the looms of Bengal silenced,
and the cotton shipped raw
by the British to England.
History of little use to her,
my grandmother just says
how the muslins of today
seem so coarse and that only
in autumn, should one wake up
at dawn to pray, can one
30feel that same texture again.
One morning, she says, the air
was dew-starched: she pulled
it absently through her ring.
354045By Agha Shahid Ali from The Half-Inch Himalayas (Wesleyan University Press, 1987). © 1987 by Agha Shahid Ali and reprinted by permission of Wesleyan University Press.
To cite this poem:
MLA
“Dacca Gauzes, The.”
Columbia Granger's World of Poetry Online.
2026.
Columbia University Press.
22 May. 2026.
<http://www.columbiagrangers.org>.
Chicago Manual of Style
“Dacca Gauzes, The.”
Columbia Granger's World of Poetry Online.
http://www.columbiagrangers.org
(accessed May 22, 2026).
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9 <subject-name>History and Historians</subject-name>
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12 <sources>
13 <source id="10578">
14 <source-title>Being Alive</source-title>
15 </source>
16 <source id="10659">
17 <source-title>The Norton Anthology of Modern and Contemporary Poetry, V. 2: Contemporary Poetry</source-title>
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20 <source-title>The Norton Anthology of Poetry. 4th ed.</source-title>
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23 <source-title>The Norton Introduction to Literature. 7th ed.</source-title>
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38 <date ty="death" circa="false">2001</date>
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46 <citation-form id="00000207226P01" poemid="00000207226" selectionid="00000207226">
47 <title id="00000207226P01">Dacca Gauzes, The</title>
48 <firstline>Those transparent Dacca gauzes</firstline>
49 <lastline>It absently through her ring</lastline>
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53 <line n="1">Those transparent Dacca gauzes</line>
54 <line n="2">known as woven air, running</line>
55 <line n="3">water, evening dew:</line>
56 </stanza>
57 <stanza>
58 <line n="4">a dead art now, dead over</line>
59 <line n="5">a hundred years. “No one</line>
60 <line n="6">now knows,” my grandmother says,</line>
61 </stanza>
62 <stanza>
63 <line n="7">“what it was to wear</line>
64 <line n="8">or touch that cloth.” She wore</line>
65 <line n="9">it once, an heirloom sari from</line>
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67 <stanza>
68 <line n="10">her mother's dowry, proved</line>
69 <line n="11">genuine when it was pulled, all</line>
70 <line n="12">six yards, through a ring.</line>
71 </stanza>
72 <stanza>
73 <line n="13">Years later when it tore,</line>
74 <line n="14">many handkerchiefs embroidered</line>
75 <line n="15">with gold-thread paisleys</line>
76 </stanza>
77 <stanza>
78 <line n="16">were distributed among</line>
79 <line n="17">the nieces and daughters-in-law.</line>
80 <line n="18">Those too now lost.</line>
81 </stanza>
82 <stanza>
83 <line n="19">In history we learned: the hands</line>
84 <line n="20">of weavers were amputated,</line>
85 <line n="21">the looms of Bengal silenced,</line>
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87 <stanza>
88 <line n="22">and the cotton shipped raw</line>
89 <line n="23">by the British to England.</line>
90 <line n="24">History of little use to her,</line>
91 </stanza>
92 <stanza>
93 <line n="25">my grandmother just says</line>
94 <line n="26">how the muslins of today</line>
95 <line n="27">seem so coarse and that only</line>
96 </stanza>
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98 <line n="28">in autumn, should one wake up</line>
99 <line n="29">at dawn to pray, can one</line>
100 <line n="30">feel that same texture again.</line>
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103 <line n="31">One morning, she says, the air</line>
104 <line n="32">was dew-starched: she pulled</line>
105 <line n="33">it absently through her ring.</line>
106 <line n="34" />
107 <line n="35" />
108 <line n="36" />
109 <line n="37" />
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111 <line n="39" />
112 <line n="40" />
113 <line n="41" />
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115 <line n="43" />
116 <line n="44" />
117 <line n="45">
118 By Agha Shahid Ali from
119 <i>The Half-Inch Himalayas</i>
120 (Wesleyan University Press, 1987). © 1987 by Agha Shahid Ali and reprinted by permission of Wesleyan University Press.
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147 <firstline>Those transparent Dacca gauzes</firstline>
148 <lastline>It absently through her ring</lastline>
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